10.22.2009

Sequentiality, Abstraction and Representation, a Gallery Comic




(click on image to enlarge)

I've been working on a series of sequences (so comic strips, actually) as planning for several new stone lithos which will be leporellos, yet also I am working toward "gallery comic" installations as well. I'm attempting to make them ride the line between apparent abstraction and loose representationalism. Hence, as my art school profs would have it, they are indeed abstract, at least abstracted, but not fully non-representational. My work of this nature is usually quite large and the surfaces are very haptic, so scale and surface enter into it as well: due to them, many people do not notice any representations at all. Reproduced small, as on this website, the impression is of course quite different, but I very intrigued by the idea of flirting with but defying full abstract AND full delineation.

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9.17.2009

Brandl: Art Museum of Canton Thurgau Gallery Comics Paintings Acquisition




It is a particular thrill for me to announce that the Art Museum of Thurgau in Switzerland has just acquired 20 paintings of mine! They comprise a representative cross-section of several years of my series titled "Covers," which are Gallery Comics as well as paintings. I am very pleased that they will be in such a great institution and under the care of its eminent director Markus Landert and curator Dorothee Messmer!

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9.08.2009

CUNY James Gallery's Silent Pictures Exhibitions with Several Gallery Comics, including a Brandl Painting Installation



Silent Pictures, running from September 1 through October 11 in the James Gallery in NYC focuses on aspects of comic book structure that do not depend on words to advance an image sequence. The exhibition is inspired by artist and Pulitzer Prize-winning author Art Spiegelman's personal collection of wordless comics and graphic novels -- mostly black and white rare artist books from the 1930s. The show will feature a selection of these books, as well as more recent "abstract comics," and a related film program -- all of which investigate essential qualities and aesthetics of this hugely popular medium.

The abstract comics, compiled by art historian and artist Andrei Molotiu for a just released anthology, Abstract Comics Fantagraphics Books, 2009), call attention to the formal mechanisms that underlie all comics. The art gathered by Molotiu emphasizes the dynamic graphics that lead the eye and mind from panel to panel, suggesting that these structural elements are fundamental to the emotional register of the medium. This section of the exhibition features an old-fashioned wire magazine stand ("spinner rack"), which hosts a collection of paintings by Mark Staff Brandl called A History of Composition in Abstract Comic Covers. Done in oil, acrylic and collage on canvas panels, the 30 pieces in this series unite comics, pop art and Pollock-related abstraction with his actual interpretation of the history of composition in painting from Prehistoric times until now.

The James Gallery is located off the lobby of the Graduate Center at 365 Fifth Avenue (between 34th & 35th Streets). Hours are Tuesdays through Fridays, 12-8 pm, and 12-6 pm on Saturdays & Sundays. Admission is free; for more information call 212-817-7138 or visit http://www.gc.cuny.edu/events/art_gallery.htm An opening reception for Silent Pictures will be held on Thursday, September 10, 6-8 pm.

A few details follow.





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7.30.2009

Saul Bass: The Man with the Golden Arm



Designer Saul Bass's wonderful abstract Film Titles for the movie The Man with the Golden Arm. The film was based on the book by Nelson Algren, still one of the greatest, yet most underappreciated American authors. Abstract Comics avant la lettre? And if it were projected on the wall in a museum, it would be Gallery Comics, as I see it!

4.23.2009

Molotiu's Abstract Comics blog site




Andrei Molotiu, gallery comics artist and editor of the forthcoming anthology Abstract Comics, the first book to trace the history and survey the contemporary landscape of abstract sequential art, has started a blog to showcase the book and other work by some of the book's contributors. The link: abstractcomics.blogspot.com.

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2.08.2009

Brandl Art "Inadvertently" Stolen from Museum



No Shit. A painting installation disappears in an opening in Colorado Museum. 26 of 31 paintings taken by visitors.

The cat is out of the bag, they have gone to the press, so now I can discuss and indeed complain about the events.

As you may know my art is an integral part of the traveling exhibition "Out of Sequence." It was in the Krannert Art Museum first, and the second venue is the Belmar Laboratory of Art and Ideas, a museum near Denver, Colorado. Link: http://www.belmarlab.org/

This is a great place, with many cutting edge shows. The opening for "Out of Sequence" was apparently enormous, more than 900 people and so on. I was not present. I wish I had been, because after the opening, they noticed that somehow 26 of my 31 paintings displayed in an installation/object had disappeared. Why no one noticed during the opening is beyond me.

Granted, my art is popular-looking, and my posters are regularly stolen and reappear framed elsewhere. I have grown to accept this as a compliment. But I have exhibited my small "Cover" paintings in circular spin racks in many venues, cities, even various countries, in museums, galleries, Kunsthallen and more, and never lost a single one.

Here, the director suggested, the people appear to have thought the works were gratis, to be taken. Although why someone would not notice that they are originals, with their clearly hand-painted qualities, surface facture and other haptic qualities --- and signature on the back --- I cannot fathom. Since they became aware of their lack of security in this instance, Belmar has put out a call for my art to please be returned, and had some success. Of the 26 works stolen, or accidentally relocated, only 14 are still stolen, thus 12 were recovered up till now.

I'm hoping for more. This is not about money. They are insured (although at their low end), so I would get paid, but I want the works. They are promised to other shows and indeed many to collectors. I am worried that if someone could think they were for free, they might simply discard them later. I put in a LOT of work on each one and they are a unit, in which many make reference to one another. Many of the Chicago and Illinois readers saw them either in Krannert Art Museum or in the Sharkpit.

I have made a limited edition print with a group of Covers in one image, signed and numbered it, and the Belmar will give one for every cover returned.

Here's the executive director Adam Lerner's email he sent out to those invited to the opening:

Dear Friends,

We gave away lots of free things to the 900 of you who came to The Lab's opening last night (7 gallons of dill pickles, a few dozen rocks, etc.), so we really don't blame those of you who mistakenly thought we were giving away those beautifully painted cards sitting in the magazine rack. But we need them back. Seriously, if you, or anyone you know, took home one of the paintings from Mark Brandl's magazine rack installation, we would be grateful if you could return it as soon as possible. It's very embarrassing to us and very unfortunate for the artist.

Contact the Lab at 303-934-1777 if you've got one or more of the cards. But don't worry about the pickles. They're all yours.

As Jillian Allison, Development Assistant wrote to me:

As of today we have sent out an email blast to our mailing list. There are postings on the website of a local free weekly paper, Westword and I am working with the writer to keep their information up to date. A small story also ran in the Denver Post-the daily paper. We are also using Facebook and Myspace-our pages and those of people involved in the exhibition-to post bulletins and get the word out. I will continue to look into other avenues for publicity.

Some of the places that have helpfully written about my dilemma: Attention Denver: DON'T STEAL THE FUCKING ART
By Andy Bosselman
http://nyac.connexion.org/rssitem.cfm?src=1&feedtype=1&q=&p=0&id=120110

Those cards weren't giveaways, Belmar attendees
By Michael Roberts in Word on the Street
http://blogs.westword.com/latestword/2009/01/those_cards_werent_giveaways_b.php

The Belmar Blog is here: http://belmarblab.blogspot.com/

The Belmar facebook is here.

The Belmar MySpace is here.

If you can help in any way, please do so. I'm alternately hopeful and in shock. I have requested that my friend and podcaster in Chicago, the illustrious artist and lawyer Richard Holland keep up with the events, in case I need his legal services. Thanks Richard.

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12.15.2008

Out of Sequence, Krannert Art Museum Video




A super short (2 min. 35 sec.) TV video clip of the exhibition "Out of Sequence: Under Represented Voices in American Comics," which is on exhibition at the University of Illinois' Krannert Art Museum. This video tours the exhibition with its co-curators, Professor John Jennings and PhD candidate Damian Duffy. Mark Staff Brandl's corner Panels painting-installation and Covers paintings in the spinner rack as well as several of gallery artist C Hill's pieces are prominently featured.

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12.05.2008

Installation/Gallery Comics Artist Mark Staff Brandl Interviewed on "Bad at Sports"



Brandl is interviewed on the award-winning podcast website Bad at Sports! As they write on their blog: "Episode 170: Mark Staff Brandl, Duncan MacKenzie interviews Mark "The EuroShark" Staff Brandl, theorist, writer, professor, artist, and contributor to Art in America, Sharkforum and Bad at Sports."

Go on over, listen streaming or download the mp3 and listen to it on your iPod. Then join in the discussion! Link: click here!

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11.13.2008

Out of Sequence, Krannert Art Museum Podcast






Excerpt of a radio show interview with John Jennings and Damian Duffy touring the Out of Sequence exhibition at Krannert Art Museum in Illinois. For 13 minutes of streaming radio click on the arrow. To download as mp3 click here.

10.20.2008

"All Mixed Up" Opens at Krannert Art Museum Oct. 23

This weekend, the Krannert Art Museum is having an opening for the exhibit, "Out of Sequence: Underrepresented Voices in American Comics." The curators, John Jennings and Damian Duffy, describe this show thus:
Out of Sequence continues and expands on investigations such as Masters of American Comics, presented in 2005 by UCLA's Hammer Museum and the Museum of Contemporary Art in Los Angeles, by showcasing areas of sequential art that might otherwise be overlooked or underappreciated. These areas include the work of women and minority artists and small press and webcomics creators. The exhibition will explore alternate histories of American comics and suggest some of the limitless possibilities for the medium in the past, present, and future, from early newspaper strips to the Internet and virtual narratives in simulated three-dimensional space.


Some of the more famous names to appear include: Scott McCloud, Hope Larson, Allison Bechdel, Keith Knight, and many more (really!). To the credit of the curators, they have also included a hearty offering of gallery comics by Andrei Molotiu, Christa Donner, C Hill, and Mark Staff Brandl.

If you're near the University of Illinois in Urbana-Champaign this weekend, go see the show (from October 24, 2008 through January 4, 2009)! Else, you can order the lavish show catalogue hot off the presses! And if you're broke and far away from Illinois, you can peek at these samples of artworks by innovative comic artists!


Meanwhile, here's a digital layout of my last framed gallery comics installation opening at the Krannert, titled "All Mixed Up" and which can be organized in any order! Enjoy!
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